Anthology of Choral Works
Recommendations for High School Mixed Choir
Available via the Choral Public
Domain Library
Sorted by Composer
Composer | Title | Genre | Sources | Publisher | Score | All Editions |
Aichinger, Gregor | Adoramus Te | Renaissance | Margaret Hawkins Anthology | |||
Anerio, Felice | Christus factus est | Renaissance | European Sacred Music | Oxford | ||
Anerio, Felice | Honestum fecit | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Arcadelt, Jacob | Ecco d'oro l'età (listed as Esso, not Ecco in source) | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | Presser MP 86-6 | ||
Bach, J.S. | Crucifixus, from Mass in B minor | Baroque | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Bach, J.S. | O Jesu Christ, meins Lebens Licht, from Cantata BWV 118 | Baroque | European Sacred Music | Oxford | ||
Bateson, Thomas | Sister awake | Renaissance | Three Centuries of Choral Music, Vol. 6 | Harold Flammer | ||
Bateson, Thomas | Those sweet, delightful lilies | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Batten, Adrian | O Sing Joyfully | Renaissance | Teaching Music Through Performance, Vol.2 | Oxford University Press 3502283 | ||
Beethoven, Ludwig van | Kyrie, from Mass in C, Op. 86 | Classical | Teaching Music Through Performance, Vol.1 | Plymouth PCS 175 | ||
Bennet, John | All creatures now | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Bennet, John | Weep, O mine eyes | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Berlioz, Hector | The Shepherds' Farewell to the Holy Family (from L'enfance du Christ) | Romantic | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Billings, William | Chester | Early American | Five Centuries of Choral Music, Vol. 1 | G. Schirmer | ||
Billings, William | Kittery | Early American | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Billings, Willliam | When Jesus Wept | Early American | Five Centuries of Choral Music, Vol. 1 | G. Schirmer | ||
Blow, John | Let Thy Hand Be Strengthened | Baroque | Margaret Hawkins Anthology | |||
Brahms, Johannes | Ach, arme Welt, Op. 110, no. 2 | Romantic | European Sacred Music | Oxford | ||
Brahms, Johannes | Der Abend, Op. 64, no.2 | Romantic | Margaret Hawkins Anthology | |||
Brahms, Johannes | Es geht ein Wehen durch den Wald, Op. 62 no.6 | Romantic | ||||
Brahms, Johannes | Es ist das Heil uns Kommen Her, Op. 29, no. 1 | Romantic | Margaret Hawkins Anthology | |||
Brahms, Johannes | Geistliches Lied, Op. 30 | Romantic | European Sacred Music | Oxford | ||
Brahms, Johannes | In stiller Nacht | Romantic | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Brahms, Johannes | O schöne Nacht, Op. 92, No. 1 | Romantic | Teaching Music Through Performance, Vol.1 | G. Schirmer 11800 | ||
Brahms, Johannes | Schaffe in mir, Gott, ein rein Herz, Op.29, no. 2 | Romantic | Margaret Hawkins Anthology | |||
Brahms, Johannes | Waldesnacht, Op. 62, No. 3 | Romantic | Five Centuries of Choral Music, Vol. 1 | G. Schirmer | ||
Brahms, Johannes | Warum ist das Licht gegeben dem Mühseligen, Op. 74, No.1 | Romantic | European Sacred Music | Oxford | ||
Brahms, Johannes | Wie lieblich sind deine Wohnungen, from Eine Deutsches Requiem | Romantic | Teaching Music Through Performance, Vol.1 | G. Schirmer | ||
Bruckner, Anton | Ave Maria | Romantic | European Sacred Music | Oxford | ||
Bruckner, Anton | Locus Iste | Romantic | European Sacred Music Five Centuries of Choral Music, Vol. 2 | Oxford | ||
Bruckner, Anton | Os Justi | Romantic | Teaching Music Through Performance, Vol.1 European Sacred Music Margaret Hawkins Anthology | C.F. Peters 6315, Oxford | ||
Buxtehude, Dietrich | Alles, was ihr tut | Baroque | Three Centuries of Choral Music, Vol. 4 | Harold Flammer | ||
Buxtehude, Dietrich | In dulci jubilo | Baroque | Margaret Hawkins Anthology | |||
Byrd, William | Ave Maria | Renaissance | Three Centuries of Choral Music, Vol. 3 | Harold Flammer | ||
Byrd, William | Ave Verum Corpus, from Gradualia I | Renaissance | Teaching Music Through Performance, Vol.1 Five Centuries of Choral Music, Vol.2 | Oxford TCM3 | ||
Byrd, William | Ego sum panis vivus, from Gradualia II | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | A. Broude ABC 30 | ||
Byrd, William | Lullaby my sweet little baby | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Byrd, William | Mass for 3 voices | Renaissance | ||||
Byrd, William | Mass for 4 voices | Renaissance | ||||
Byrd, William | Terra Tremuit | Renaissance | Margaret Hawkins Anthology | |||
Byrd, William | This sweet and merry month of May | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Byrd, William | Though Amarillis dance in green | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Byrd, William | What is life, or worldly pleasure? | Renaissance | Three Centuries of Choral Music, Vol. 6 | Harold Flammer | ||
Caldara, Antonio | Stabat Mater | Baroque | Margaret Hawkins Anthology | |||
Carissimi, Giacomo | Plorate Filii from Jephte | Early Baroque | Margaret Hawkins Anthology | |||
Cavendish, Michael | Come gentle swains | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Costeley, Guillaume | Allez mes premieres amours | Renaissance | Three Centuries of Choral Music, Vol.1 | Harold Flammer | ||
Croce, Giovanni | Cantate Domino | Renaissance | ||||
Delius, Frederick | To be sung of a summer night on the water | Late 19th century British | Teaching Music Through Performance, Vol.1 | Boosey and Hawkes, 3249 | ||
Dowland, John | Come Again Sweet Love | Renaissance | Margaret Hawkins Anthology | |||
Dowland, John | Weep you now more, sad fountain | Renaissance | Three Centuries of Choral Music, Vol. 3 | Harold Flammer | ||
Dowland, John | What if I Never Speed | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | G. Schirmer 8775 | ||
Dunstable, John | Quam pulchra es | Renaissance | Three Centuries of Choral Music, Vol. 3 | Harold Flammer | ||
East, Michael | No haste, but good | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
East, Michael | Poor is the life | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
East, Michael | Quick, quick, away, dispatch! | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Elgar, Edgar | The Snow | Late 19th century British | ||||
Farmer, John | Fair nymphs, I heard one telling | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Farmer, John | Fair Phyllis I saw | Renaissance | The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 3 | Oxford | ||
Farnaby, Giles | Construe my meaning | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Fauré, Gabriel | Cantique de Jean Racine, Op. 11 | Late Romantic | Teaching Music Through Performance, Vol.1 European Sacred Music | Hinshaw Music HMC933 | ||
Flecha el Viejo, Mateo | Riu, riu, chiu | Renaissance | Five Centuries of Choral Music, Vol. 2 Margaret Hawkins Anthology | G. Schirmer | ||
Franck, César | Panis angelicus | Late 19th century French | European Sacred Music | Oxford | ||
Gabrieli, Andrea | Angeli, archangeli | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Gastoldi, Giovanni | Caccia D'amore | Renaissance | ||||
Gesualdo, Carlo | O vos omnes (1603) | Renaissance | European Sacred Music | Oxford | ||
Gesualdo, Carlo | Tu m'uccidi, o crudele, from the Fifth book of madrigals | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Gibbons, Orlando | Ah, dear heart, why do you rise? | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Gibbons, Orlando | As On the Night Before This Blessed Morn | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | Concordia 98-1756 | ||
Gibbons, Orlando | Dainty fine bird | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Gibbons, Orlando | O that the learned poets | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Gibbons, Orlando | The Silver Swan | Renaissance | Teaching Music Through Performance, Vol.2 The A Capella Singer Five Centuries of Choral Music, Vol. 2 The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 6 | E.C. Schirmer 397 | ||
Gibbons, Orlando | Trust not too much | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Gibbons, Orlando | What is our life? | Renaissance | The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 6 | Oxford | ||
Greaves, Thomas | Come Away, Sweet Love | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Grieg, Edvard | Ave maris stella | Romantic | European Sacred Music | Oxford | ||
Guerrero, Francisco | Ave virgo sanctissima | Renaissance | European Sacred Music | Oxford | ||
Guerrero, Francisco | Prado verde y florido | Renaissance | Three Centuries of Choral Music, Vol. 5 | Harold Flammer | ||
Handel, George Frideric | Hallelujah Chorus, from Messiah | Baroque | Shaping Sound Musicians | |||
Handel, George Frideric | Hallelujah, Amen, from Judas Maccabeus | Baroque | Teaching Music Through Performance, Vol.1 | Novello Publications 34.0062.10 | ||
Handel, George Frideric | Let Their Celestial Concerts All Unite | Baroque | Teaching Music Through Performance, Vol.1 | Alfred Publishing 16310 | ||
Handel, George Frideric | Zadok the Priest, from Coronation Anthem No. 1 | Baroque | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Handl, Jacob | Pater Noster | Renaissance | European Sacred Music | Oxford | ||
Hassler, Hans Leo | Cantate Domino | Renaissance | Three Centuries of Choral Music, Vol. 4 | Harold Flammer | ||
Hassler, Hans Leo | Dixit Maria | Renaissance | European Sacred Music | Oxford | ||
Hassler, Hans Leo | Verbum caro factum est | Renaissance | Teaching Music Through Performance, Vol.2 Margaret Hawkins Anthology | GIA Publications G-7037 | ||
Haydn, Franz Josef | Sanctus, from Harmoniemesse | Classical | Five Centuries of Choral Music, Vol. 1 | G. Schirmer | ||
Haydn, Franz Josef | The Heavens are Telling, from The Creation | Classical | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Holst, Gustav | I Love my Love | Late 19th century British | ||||
Holst, Gustav | Personent Hodie | Late 19th century British | ||||
Holst, Gustav | There Was a Tree | Late 19th century British | ||||
Jeune, Claude le | Revecy venir du Printans | Renaissance | Three Centuries of Choral Music, Vol.1 Margaret Hawkins Anthology | Harold Flammer | ||
John IV of Portugal | Crux fidelis | Early Baroque | European Sacred Music | Oxford | ||
Josquin des Pres | Ave Verum Corpus, á 5 | Renaissance | Three Centuries of Choral Music, Vol.1 | Harold Flammer | ||
Josquin des Prez | Ave Maria...virgo serena | Renaissance | European Sacred Music | Oxford | ||
Josquin des Prez | El Grillo | Renaissance | Vocal Music Education, Chap 6 Renaissance Style Margaret Hawkins Anthology | Frank Music Corp. F515 | ||
Kirbye, George | See what a maze of error | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Lasso, Orlando di | Adoramus te, Christe | Renaissance | European Sacred Music | Oxford | ||
Lasso, Orlando di | Ave Verum Corpus | Renaissance | European Sacred Music | Oxford | ||
Lasso, Orlando di | Bonjour, mon coeur (Good-day, dear heart) | Renaissance | The A Cappella Singer Margaret Hawkins Anthology | E.C. Schirmer | ||
Lasso, Orlando di | Matona, mia cara (Matona, lovely maiden) | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Lasso, Orlando di | O occhi manza mia (Oh, eyes of my beloved) | Renaissance | The A Cappella Singer Margaret Hawkins Anthology | E.C. Schirmer | ||
Lasso, Orlando di | Timor et tremor | Renaissance | European Sacred Music | Oxford | ||
Lasso, Orlando di | Un jour vis un foulon | Renaissance | Three Centuries of Choral Music, Vol. 4 | Harold Flammer | ||
Lotti, Antonio | Crucifixus a 8 | Early Baroque | European Sacred Music Margaret Hawkins Anthology | Oxford | ||
Marenzio, Luca | O quam gloriosum est regnum | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Marenzio, Luca | O Sacrum Convivium | Renaissance | Margaret Hawkins Anthology | |||
Mendelssohn, Felix | Die Primel (The Primrose) Op. 48, no.2 | Romantic | Margaret Hawkins Anthology | |||
Mendelssohn, Felix | He that shall endure, No. 32 from Elijah | Romantic | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Mendelssohn, Felix | He Watching Over Israel, from Elijah | Romantic | Teaching Music Through Performance, Vol.1 Five Centuries of Choral Music | E.C. Schirmer 2786 | ||
Mendelssohn, Felix | Psalm 43, Op. 78, No. 2 | Romantic | European Sacred Music | Oxford | ||
Mendelssohn, Felix | Verleih uns Frieden | Romantic | European Sacred Music | Oxford | ||
Monteverdi, Claudio | Beatus vir qui timet Dominum from Selva Morale e Spirituale | Early Baroque | European Sacred Music | Oxford | ||
Monteverdi, Claudio | Cantate Domino | Early Baroque | European Sacred Music | Oxford | ||
Monteverdi, Claudio | Christe, adoramus te | Early Baroque | European Sacred Music | Oxford | ||
Monteverdi, Claudio | Filli cara e amata, from the First Book of Madrigals | Early Baroque | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Morley, Thomas | April is in My Mistress' face | Renaissance | The A Cappella Singer The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 3 Margaret Hawkins Anthology | E.C. Schirmer, Oxford | ||
Morley, Thomas | Clorinda false adieu | Renaissance | Three Centuries of Choral Music, Vol. 6 | Harold Flammer | ||
Morley, Thomas | Dainty fine sweet nymph | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Morley, Thomas | Fyer, fyer! | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Morley, Thomas | Hard by a crystal fountain | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Morley, Thomas | I love, alas, I love thee | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Morley, Thomas | It Was a Lover and His Lass | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | H.W. Gray 553 | ||
Morley, Thomas | Leave, alas, this tormenting | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Morley, Thomas | My Bonny Lass | Renaissance | The A Cappella Singer The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 5 | E.C. Schirmer, Oxford | ||
Morley, Thomas | Now is the Month of Maying | Renaissance | The A Cappella Singer The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 5 | E.C. Schirmer | ||
Morley, Thomas | Shoot, False Love I Care Not | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Morley, Thomas | Sing We and Chant It | Renaissance | Five Centuries of Choral Music, Vol. 1 The A Cappella Singer The Oxford Book of English Madrigals | G. Schirmer | ||
Morley, Thomas | Though Philomela lost her love | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Morley, Thomas | Wither away so fast | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Mouton, Jean | Ave Maria | Renaissance | Five Centuries of Choral Music, Vol. 2 | G. Schirmer | ||
Mozart, W.A. | Ave Verum Corpus | Classical | Teaching Music Through Performance, Vol.1 Five Centuries of Choral Music, Vol.1 European Sacred Music | Hinshaw Music HMC490 | ||
Nanino, Giovanni Maria | Laetamini in Domino | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Ockeghem, Johannes | Kyrie, from Missa L'homme armé | Renaissance | Three Centuries of Choral Music, Vol.1 | Harold Flammer | ||
Palestrina, G.P. da | Alla riva del Tebro | Renaissance | Margaret Hawkins Anthology | |||
Palestrina, G.P. da | Congratulamini mihi | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Palestrina, G.P. da | Exultate Deo | Renaissance | European Sacred Music Margaret Hawkins Anthology | Oxford | ||
Palestrina, G.P. da | Sicut Cervus | Renaissance | Teaching Music Through Performance, Vol.1 Vocal Music Education, Ch.6 European Sacred Music | GIA Publications G-2141, Mercury MP75 | ||
Palestrina, G.P. da | Tu es Petrus | Renaissance | European Sacred Music | Oxford | ||
Passereau, Pierre | Il est Bel et Bon | Renaissance | Teaching Music Through Performance, Vol.1 Five Centuries of Choral Music, Vol. 2 | Bourne Company | ||
Pilkington, Francis | Have I found her | Renaissance | Three Centuries of Choral Music, Vol. 6 | Harold Flammer | ||
Pilkington, Francis | Rest, sweet nymphs | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Praetorius, Michael | Psallite | Early Baroque | Margaret Hawkins Anthology | |||
Purcell, Henry | With Drooping Wings, from Dido and Aeneas | Renaissance | Teaching Music Through Performance, Vol.1 | Bourne Company 148416 | ||
Rachmaninoff, Sergei | Bogoroditse Devo (Ave Maria) from Vespers | Romantic | Teaching Music Through Performance, Vol.1 European Sacred Music | Musica Russica RAo28 | ||
Ramsey, Robert | Sleep, fleshly birth | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Reger, Max | Und unser lieben Frauen, Op. 138, No. 4 | Romantic | European Sacred Music | Oxford | ||
Rheinberger, Josef | Abendlied, Op. 69, No. 3 | Romantic | European Sacred Music | Oxford | ||
Rossini, Gioachino | O salutaris hostia | 19th century Italian Opera | European Sacred Music Margaret Hawkins Anthology | Oxford | ||
Rue, Pierre de la | O salutoris hostia | Renaissance | Three Centuries of Choral Music, Vol.1 | Harold Flammer | ||
Scarlatti, Alessandro | Exultate Deo | Romantic | Margaret Hawkins Anthology | |||
Schubert, Franz | Psalm 23 | Romantic | European Sacred Music | Oxford | ||
Schumann, Robert | Gute Nacht, Op.59, no.4 | Romantic | Margaret Hawkins Anthology | |||
Schumann, Robert | Zigeunerleben, Op. 29, No. 3 | Romantic | Teaching Music Through Performance, Vol.1 | Warner Brothers, LG 51413 | ||
Schütz, Heinrich | Die mit Tränen säen werden mit Freuden ernten, SWV 378 | Early Baroque | Teaching Music Through Performance, Vol.2 | GIA Publications G-7039 | ||
Schütz, Heinrich | Jauchzet dem Herren, alle Welt (Psalm 100), SWV 36 | Early Baroque | Teaching Music Through Performance, Vol.1 European Sacred Music | Barenreiter BA480 | ||
Schütz, Heinrich | Selig sind die Toten, SWV 391 | Early Baroque | European Sacred Music | Oxford | ||
Senfl, Ludwig | Das Gelaur zu Spier (The Bells of Speyer) | Renaissance | Margaret Hawkins Anthology | |||
Soriano, Francesco | Salva Regina | Renaissance | Three Centuries of Choral Music, Vol. 2 | Harold Flammer | ||
Stanford, Charles Villier | Beati Quorum Via | Late 19th century British | ||||
Stanford, Charles Villier | The Blue Bird | Late 19th century British | Teaching Music Through Performance, Vol.2 | GIA Publications G-5930 | ||
Sweelinck, J.P. | Laudate Dominum | Renaissance | European Sacred Music | Oxford | ||
Sweelinck, J.P. | Psalm 96 | Renaissance | Teaching Music Through Performance, Vol.1 | Theodore Presser Co. 352-00004 | ||
Sweelinck, J.P. | Venite exultemus Domino | Renaissance | Teaching Music Through Performance, Vol.2 | GIA Publications G-5930 | ||
Tallis, Thomas | Candidi facti sunt | Renaissance | Three Centuries of Choral Music, Vol. 3 | Harold Flammer | ||
Tallis, Thomas | O Lord in Thee is all my Trust | Renaissance | ||||
Tallis, Thomas | When shall my sorrowful sighing | Renaissance | Three Centuries of Choral Music, Vol. 6 Margaret Hawkins Anthology | Harold Flammer | ||
Telemann, George Philipp | Laudate Jehovam, omnes gentes | Baroque | Margaret Hawkins Anthology | |||
Tessier, Charles | Au joli bois je m'en vais (To Woodland glades I must fare) | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Tomkins, Thomas | Adieu, ye city pris'ning towers | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Tomkins, Thomas | Music Divine | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Tomkins, Thomas | Oyez! Has any found a lad | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Tomkins, Thomas | See, see the shepherds' Queen | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Tomkins, Thomas | Too much I once lamented | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Vautor, Thomas | Mother, I will have a husband | Renaissance | The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 3 | Oxford | ||
Vautor, Thomas | Sweet Suffolk owl | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Vecchi, Orazio | Fa Una Canzona | Renaissance | Margaret Hawkins Anthology | |||
Vecchi, Orazio | So ben mi ch'ha bon tempo (So well I know who's happy) | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Verdi, Giuseppe | Va, Pensiero, from Nabucco | 19th century Italian Opera | Teaching Music Through Performance, Vol.1 | Warner Brothers, LG 52493 | ||
Viadana, Lodovico | Exultate Deo | Renaissance | European Sacred Music | Oxford | ||
Victoria, Tomás Luis de | Jesu, dulcis memoria | Renaissance | European Sacred Music Margaret Hawkins Anthology | Oxford | ||
Victoria, Tomás Luis de | O vos omnes | Renaissance | European Sacred Music Margaret Hawkins Anthology | Oxford | ||
Victoria, Tomás Luis de | O Magnum Mysterium | Renaissance | Teaching Music Through Performance, Vol.2 Five Centuries of Choral Music (F minor) Vocal Music Education, Chap 6 Renaissance Style Margaret Hawkins Anthology | G. Schirmer 50305150, Mercury 352-00457 | ||
Vivaldi, Antonio | Domine fili unigenite, from Gloria, RV 589 | Baroque | Five Centuries of Choral Music, Vol. 2 Margaret Hawkins Anthology | G. Schirmer | ||
Ward, John | Come, sable night | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Ward, John | Out from the vale | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | As Vesta was from Latmos hill descending | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Come, sirrah Jack, ho! | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Hark, all ye lovely saints above | Renaissance | The Oxford Book of English Madrigals Three Centuries of Choral Music, Vol. 3 Vocal Music Education, Chap 6 Renaissance Style Margaret Hawkins Anthology | Oxford | ||
Weelkes, Thomas | Hence Care, thou art too cruel | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Lady, your eye my love enforced | Renaissance | The A Cappella Singer | E.C. Schirmer | ||
Weelkes, Thomas | O Care, thou wilt despatch me | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | O Jonathan | Renaissance | The Oxford Book of English Madrigals Margaret Hawkins Anthology | Oxford | ||
Weelkes, Thomas | Since Robin Hood | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Sing we at pleasure | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Strike it up, tabor | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | The Andalusian merchant | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | Thule, the period of cosmography | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Weelkes, Thomas | To shorten Winter's sadness | Renaissance | Three Centuries of Choral Music, Vol. 6 | Harold Flammer | ||
Whythorne, Thomas | I have ere this time heard | Renaissance | Three Centuries of Choral Music, Vol. 3 | Harold Flammer | ||
Wilbye, John | Adieu, sweet Amaryllis | Renaissance | The A Capella Singer The Oxford Book of English Madrigals Margaret Hawkins Anthology | E.C. Schirmer, Oxford | ||
Wilbye, John | Draw on, sweet Night | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Wilbye, John | Flora gave me fairest flowers | Renaissance | The A Cappella Singer The Oxford Book of English Madrigals | E.C. Schirmer, Oxford | ||
Wilbye, John | I Love, Alas, Yet am not Loved | Renaissance | Vocal Music Education, Chap 6 Renaissance Style | G. Schirmer 11455 | ||
Wilbye, John | Lady, when I behold | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Wilbye, John | O what shall I do? | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Wilbye, John | Sweet honey-sucking bees | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Wilbye, John | Weep,weep mine eyes | Renaissance | The Oxford Book of English Madrigals | Oxford | ||
Wilbye, John | Yet, sweet, take heed | Renaissance | The Oxford Book of English Madrigals | Oxford |